Pesquisar este blog

sábado, 28 de março de 2020

Burned Out Of Warmaster Dwarves

I'd like to finish the basing on the Dwarves as well as their artillery before the end of the year but I'm burnt out on them for now. I headed back to the Void Spinners (third times the charm) and finish 2 of them. I hope to finish the third, touch-up the black highlights and de-gloss them this weekend.

Epic Eldar Void Spinners Epic Eldar Void Spinner Array

This is what I managed to get done last week before Fall In! I finished the skin and hair on the dwarves, and got them on bases along with the ballast. The decals didn't end up working out, they printed poorly and I found myself touching them up far too much. I scrapped the idea and painted simple patterns on the shields to differentiate the Warriors. I'll got back and match the shield pattens on the banners as well.

Warmaster Dwarves Warmaster Dwarf Warrior Command Warmaster Dwarf Warrior Command Warmaster Dwarf Thunderers Warmaster Dwarf Long Beard Hero Warmaster Dwarf Thunderer Hero Warmaster Dwarf Anvil of Doom (+2)

The general still is a work-in-progress, I'm converting him up along with an unreleased musician. I did manage to get some good decal prints for him and the Anvil, they'll be the only two in the army.

Warmaster Dwarf General (sans General)

UCLan Games Design Projects With GSM Research Group


Latest News from Paresh Parmar: Head of International Development & Partnerships for School of Art, Design & Fashion at University of Central Lancashire.

















'We are grateful that 2019 gave us (GSM - Global Sound Movement) the opportunity to present our working concepts on cultural preservation at the '2019 British Science Festive Press Conference'. Happy to share that it caught the eye of some top press. The Virtual Reality Hani Drum was sighted as innovation in cultural preservation. Thanks to Josh Taylor, Josh Write & Bev Bush 'BA (Hons) Games Design' at UCLan. You really helped us push the boundaries. Josh Wright and Josh Taylor from UCLan Games Design developed the VR Hani Drum. Now people can actually play this ancient drum, without damaging it, our travelling to the distant mountains of the Yunnan, China. Watch the clip, more coming soon...'










GSM on BBC North West Tonight - 18 Sept 2019.
The pioneering work in virtual reality (VR) from UCLan's Global Sound Movement (GSM), which is allowing rare musical instruments from around the world to be digitally preserved, was showcased at the British Science Festival. GSM's innovative work with VR allows user interactivity with instruments from hard to reach geographical locations. Participants play music whilst receiving haptic feedback and triggering the actual sound of the musical instrument. The technology also allows for remote tutoring from someone in a different location, but within the same VR environment. Paresh Parmar, Co-founder of Global Sound Movement and Senior Lecturer at UCLan, said: "GSM is dedicated to preserving musical instruments of cultural significance and combining innovative new technologies making them globally accessible. This enables musicians and non-musicians to access these wonderful instruments and sounds, whilst providing resources for the original communities GSM worked with." A core belief of GSM is to preserve and share the sounds of the world. To achieve this, GSM is constantly developing new technologies to expand the reach of their work and enable people, regardless of musical talent, to engage, compose or simply enjoy music. The virtual instruments and corresponding
sound libraries can also be integrated with music production software, enabling composers internationally to use these rare sounds. All proceeds from the technology goes back into the local communities from which the instruments are recorded.
Also see:
https://www.britishscienceassociation.org/blog/preserving-rare-instruments-in-the-virtual-world

Bev Bush from UCLan Games Design worked with GSM to develop the Hani Embroidery App.






This research is part of a collaboration with The Global Sound Movement. Audiences can interact in a unique way with GSM sampled sounds from the drums of the Hani Tribe in China to create an embroidery pattern which celebrates their rhythms and traditional costume designs.
"Can gamification be used as an interactive and transformative tool for artistic expression to engage learning, encourage appreciation and to illustrate traditional, historical and cultural related experience?"
Advertising designer Elliot Harris' animated film of 2002, 'Burberry-Rain' identifies the 4 – dimensional properties of Burberry fabric. In 2013 Sophia George developed a game based on 'The Strawberry Thief' which re-vitalized the art of William Morris. The Hani App moves beyond re-vitalization of a design to involve interaction with sound and illustration of traditional crafts, exploring the use of digital tools to create unique artefacts. This acknowledges and records ideas and objects which may otherwise be lost or forgotten.
'The Art of Computer Game Design.'(Crawford, C. 1997)
'Play, Games and Gamification in Contemporary Art Museums.'(Romualdo, S. 2013)
'Gamification in the Arts.' (Bouchard, A. 2014)
An exploratory, prototyping methodology was used in this project, allowing for a flexible development style. Sprite Designs were created in Adobe Photoshop and implemented into the App using Scirra's Construct game engine. The work was inspired by GSM's photos and sampled sounds and is available to the public as an interactive App on the GSM website, also in the GSM South China Exhibitions and as a video on Vimeo with images of artefacts that can be purchased from the shop at this link.




MAPS!

   I've been drawing maps. Several maps. Mainly for a couple of products my game company (Goblyn Head Press) is selling or is going to sell via DriveThruRPG.





sábado, 21 de março de 2020

Buds, Blooms, And Thorns Review Of Wooly Whammoth By Smirk & Dagger Games

Buds, Blooms, and Thorns Review of Wooly Whammoth by Smirk & Dagger Games
DisclaimerSupport me on Patreon!
Vitals:
Title: Wooly Whammoth
Designed by: Nicholas Cravotta, Rebecca Bleau
Publisher: Smirk & Dagger Games
Year Published: 2019
MSRP: $40
2-4p | 20-30 min | 8+

Introduction:
If you were a member of a prehistoric tribe, you'd need to eat.  And what better to eat than big, yummy, mammoths?  They're big though, so hunting them is difficult... Unless you can drive them off a cliff and let gravity do the work for you!  The problem is, mammoths are often unpredictable and dangerous.  Sometimes they'll charge, sometimes they'll even take you off the cliff with them!

In Wooly Whammoth all players are controlling their own tribe, trying to drive a mammoth off a cliff in order to feed their tribe.  Simultaneously, everyone will play a card that says what will happen that round, either movement cards or charge cards.  The catch is that everyone's cards are combined to decide what happens!  So if too many people play movement cards you may end up running off the cliff with the mammoth!  Or if someone plays a Charge card you may end up getting trampled!  Whoever manages to collect enough food at the end of the game, without losing their entire tribe, is the winner!

Blooms:
Blooms are the game's highlights and features.  Elements that are exceptional.
  • Excellent components!  The artwork is fun and whimsical, the double layered, sliding tracks for each player are nice and thick, and all the tokens and cards are top notch quality.
Buds:
Buds are interesting parts of the game I would like to explore more. 
  • This needs to be played with the right group of people.  If everyone plays conservatively it'll be a boring game, but when people take chances it can cause some crazy fun.
  • Light, quick play and a whimsical theme make for a good filler.
Thorns:
Thorns are a game's shortcomings and any issues I feel are noteworthy.
  • Gameplay is very light and casual.  It feels like a mismatch with the $40 price tag.
  • If you don't play with people that like a little chaos the game will be pretty boring.  In my first game I played with a group that was very calculating (they mostly play euro strategy games).  Because of this everyone calculated what the best moves would be and everyone ended up in pretty much the same place for much of the game.  You really need either a completely random element, or someone who loves instigating chaos to make the game exciting.
  • This is a game that really focuses on take-that mechanics.  There is bluffing and a bit of deduction, but it all revolves around trying to get your opponents to either fall off the cliff or get trampled.  If you aren't into a game built around this goal, as most of my game group isn't, then this game isn't for you.
Final Thoughts:
This is a game that I thought would be more fun than it was.  Part of that is because it's not the right game for my gaming group though.  Wooly Whammoth is really all about trying to see if you can get your opponents to destroy themselves.  A lot of Smirk & Dagger games have strong take-that elements to them and Wooly Whammoth is no exception.

There are some interesting bluffing opportunities and mechanic interactions in the game though.  You do have to think about, and then second guess, what you think your opponents are going to play in order to keep yourself both on the cliff and avoid being trampled.  Each tribe has a unique ability that can help them in the game, and there are some cards that let you do things other than move that add some interesting options.  However, after all was said and done, I didn't feel like much really happened in the game.  There were no overly exciting moments, no sense of danger or thrill of the hunt.  I'd love to see more "last minute" save types of occasions in the game to bring forward the sense of hunting a dangerous prey.  I think part of the issue is that cards are resolved sequentially rather than simultaneously.  So you are able to move and drive a mammoth off the cliff before a Charge card takes effect.  If you've already driven your mammoth off the cliff it can't charge.  Because of this, we felt that the Charge cards were less effective than we'd have liked.  They were potentially mean, but in actuality, didn't seem mean enough.  Simultaneously charging and moving would probably result in more casualties in the game, so tribes may have to be bigger, but I think it would also add more excitement.

Wooly Whammoth reminded me a lot of Get Bit, but much less elegant.  The experience in Get Bit is very similar - players are trying to avoid getting eaten by a shark by playing numerical cards that determine their sequence in line, but it's also simpler.  I think Get Bit works much better for the experience the games are trying to instill, plus Get Bit is a fraction of the cost.

Anyway, I gave Wooly Whammoth a Thorn rating because it really wasn't right for my group, and I think it fell short of the experience it tried to present.  If you like simple bluffing and take-that games you may get more mileage from the game.  Thematically it's wonderful and would make a great family game, but mechanically I felt it left a bit to be desired.

Buds, Blooms, and Thorns Rating:
Thorn!  I can't quite recommend this game,
although you may enjoy it if you like games
like this.  I feel this game has some flaws and
there are areas that it could improve in the
experience it provides.

Pictures:






Did you like this review?  Show your support: Support me on Patreon!Also, click the heart at Board Game Links , like GJJ Games on Facebook , or follow on Twitter .  And be sure to check out my games on  Tabletop Generation.


GJJ Games Reviews are independent, unpaid reviews of games I, George Jaros, have played with my family and friends.  Some of these games I own, some are owned by friends, some are borrowed, and some were provided by a publisher or designer for my honest feedback and evaluation.  I make every attempt to be both honest and constructively critical in my reviews, and they are all my opinions.  There are four types of reviews on GJJ Games: Full Reviews feature critical reviews based on a rubric and games receive a rating from 0 to 100.  Quick Reviews and Kickstarter Previews are either shorter reviews of published games or detailed preview reviews of crowdfunding games that will receive a rating from 0 to 10 based on my impressions of the game.  Buds, Blooms,and Thorns reviews are shorter reviews of either published or upcoming games that highlight three aspects of a game: Buds are parts of a game I look forward to exploring more, Blooms are outstanding features of a game, and Thorns are shortcomings of a game.  Each BBT review game will receive an overall rating of Thorn, Bud, or Bloom.

terça-feira, 17 de março de 2020

UCLan Games Design Experience Of WIG Conference 2019

Two of our lovely Games Design students, Catarina Martins and Stacey Satchell were at the Women in Games Conference 2019 last week.
Here's what they had to say about the experience :)




Catarina:

"Can't put into words how inspiring and amazing those couple of days were in London at the European Women in Games Conference. The gaming industry is filled with strong and talented people and I had the absolute pleasure of meeting some of them. Also managed to make really good contacts with very helpful and super nice people which I hope to see again soon!
Now is time to take all the knowledge and inspiration I received and start applying for jobs. Let the new adventure begin!"






Stacey:

"Women in Games was such a wonderful event full of uplifting and talented people from a large variety of backgrounds and roles. From Keynotes that inspired me as a women in the community to panels that taught me so much about the industry as a professional. I left with amazing advice, a positive attitude and plenty of new friends. 
Looking forward to it again next year!"
















And here's some of the photos they took at the event.
Thanks for sharing, Girls!




























domingo, 15 de março de 2020

Resident Evil 2 Remake | Review, Trailer, Release Date, News, Gameplay, And More...


resident evil 2 remake game, resident evil 2 remake release date, resident evil 2 remake gameplay, resident evil 2 remake ps4, resident evil 2 remake pc

Resident Evil 2 Remake | Review, Trailer, Release Date, News, Gameplay, and more...


Capcom is releasing some extremely impressive games in 2019, Resident Evil 2 Remake is one of them. The Resident Evil 2 Remake isn't too far-away, set to release on 25 January 2019 (soon after its release, Capcom is releasing Devil May Cry 5). First declared in 2015, Resident Evil 2 Remake is planned as an advanced emphasis of the 1998 release. Fans have been asking for the game for a very long time, and following the accomplishment of the first Resident Evil and Zero remasters, Capcom is at long last tuning in.


Quick Facts:


  • Release date: 25 January 2019
  • Developer: Capcom
  • Genre: Survival horror
  • Platforms: PlayStation 4, Xbox One, Microsoft Windows

Resident Evil 2 Remake release date :

The remake was declared at E3 2018 for PS4, Xbox One, and PC and will release on January 25, 2019, Just before Capcom's Devil May Cry 5 Release. So entirely excited for both the games. 


Related Article: Devil May Cry 5: Review, Trailer, Gameplay, Release date


Resident Evil 2 Remake Trailers :

Tokyo Games Show 2018 has presented to us another trailer for Resident Evil 2 Remake, and this one spotlights for the most part on the story. We see a lot of Leon and Claire previously however Capcom had been generally silent regarding certain characters in the Resident Evil 2 Remake, one of these being Ada Wong, The opponent has at long last divulged it. It likewise has us frantically needing a reboot of Dino Crisis in the RE Engine. 




Just underneath, you can look at a further trailer for the Resident Evil 2 Remake. This trailer appeared amidst Sony's E3 2018 introduction in June, and it was here that the release date for the game was revealed. 




Resident Evil 2 Remake Claire Campaign Preview:

Following quite a while of pausing, Capcom is at long last coming back to its undead well and redoing what many consider to be Resident Evil's most remarkable part. Initially released for the PS1 in 1998, it's not the most straightforward title to return to with its cumbersome tank controls and blocky visuals. It's as notorious as survival repulsiveness comes. Be that as it may, the fans who discovered Resident Evil arrangement with Resident Evil 4 or later ones probably won't concur with its traditional way to deal with problems. 


This could all change with Resident Evil 2 Remake, Playing through two individual battles as arrangement's veterans Leon S. Kennedy and Claire Redfield, you'll scour the remnants of Raccoon City in the midst of a fatal zombie episode, revealing reality behind the underhanded Umbrella Corporation. 

Here's the Gameplay from IGN, if you wish to watch.






Resident Evil 2 Remake: Minimum PC Specs


  • Operating System: WINDOWS 7, 8, 8.1, 10 (64-BIT Required) 
  • Processor: Intel Core i5-4460, 2.70GHz or AMD FX-6300 or better 
  • Memory: 8 GB RAM 
  • Graphics: NVIDIA GeForce GTX 760 or AMD Radeon R7 260x with 2GB Video RAM 
  • DirectX: Version 11


Resident Evil 2 Remake: Recommended PC Specs


  • Operating System: WINDOWS 7, 8, 8.1, 10 (64-BIT Required) 
  • Processor: Intel Core i7-3770 or AMD FX-9590 or better 
  • Memory: 8 GB RAM 
  • Graphics: NVIDIA GeForce GTX 1060 or AMD Radeon RX 480 with 3GB VRAM 
  • DirectX: Version 11

Resident Evil 2 Remake: Leon Campaign Preview

Fans, for what feels like the longest time, have been shouting for a Resident Evil 2 Remake, to such an extent that they willingly volunteered make one quite a long while prior before Capcom put a stop to it for reasons that have now turned out to be clear. Capcom's new Resident Evil 2 is everything fans have ever needed it to be, it can possibly be the apex of what the great vision of the arrangement could plan to turn into. Prepare to reemerge the universe of survival awfulness in its most genuine shape. 


The short interactivity demo at E3 2018 happens in the police headquarters, and it's quickly clear this isn't simply Resident Evil 2 with prettier graphics, on account of the RE Engine. Capcom needs to make a Resident Evil 2 that plays with fan desires, in this way things will look recognizable, yet feel somewhat extraordinary. 

One thing I can most likely say that the game will be unimaginably startling, as zombies will spring up in new places to keep you continually alarmed.



The below 18-minute extended Gameplay from Gamespot completely shows how the zombies are gonna be and how they are going to keep you petrified every moment




quinta-feira, 5 de março de 2020

Dragon Ball Z: Kakarot Review (PS4/Steam)

Written by Alexander O. Cuaycong and Anthony L. Cuaycong


Title: Dragon Ball Z: Kakarot
Developer: CyberConnect2
Publisher: BANDAI NAMCO Entertainment
Genre: Action, RPG
Price: $59.99
Also Available On: Steam, XB1



Dragon Ball has a rich, colorful history. From its humble beginnings as a fun, over-the-top anime series created by manga artist Akira Toriyama in 1984, it has evolved into a giant franchise pervading just about every book and cranny of popular culture. And even casual observers know and understand why: Its deceptively simple story of perseverance, heroism, and strength entertains and resonates among a loyal base of followers with otherwise-disparate tastes. It's filled to the brim with good-natured humor and fun, with epic tales about godly powers and all-too-human frailties. Notwithstanding the countless competition, it has remained a favorite of both the young and young once, and with reason.




The timeless virtue is what Dragon Ball's latest contribution to its vast videogame library realizes and brings to a brand-new audience. Developed for the personal computer and Sony PlayStation 4 by experienced developer CyberConnect2, Dragon Ball Z: Kakarot is an open-world role playing game cum brawler that seeks to translate the best parts of its source material. Providing bite-sized pieces digestible even to gamers with little to no knowledge of the intellectual property, it retells key parts of the manga's main story arcs. And, in so doing, it succeeds in presenting an exciting, adrenaline-fueled experience. It's more than just a tribute to its roots; even as it unabashedly pays homage to its source material, it takes more than enough liberties to keep longtime followers engaged.

In Dragon Ball Z: Kakarot, gamers are thrust into the very heart of the Dragon Ball narrative. They get to play out the most important storybeats of the manga and anime; in the process, they're treated to a 50-hour jaunt that, pun aside, pulls no punches. Fighting is its bread and butter; lightning-fast kicks, knuckle sandwiches, ki strikes, and energy balls line encounters, with characters sparring and exchanging blows in the sky, on the ground, across environments encompassing the franchise's stories past. Really, there's something for everyone to take in, and, unlike other titles with similarly established canon and media, it doesn't blitz through tales or, conversely, spoonfeed all the details.




Instead, Dragon Ball Z: Kakarot introduces plot elements and characters naturally and in keeping with the spirit of its lineage. Even for habitues who know series minutiae by heart, it comes off as surprisingly fresh. And it's comfortable in its own skin: It isn't afraid to cut out parts of the main story arcs that it feels aren't necessary to its purpose, but makes sure that it nails its presentation in any case. In this regard, it's certainly helped in no small measure by spot-on and extremely responsive fighting mechanics that underscore the efforts of CyberConnect2, hitherto noted for its work on the .hack and Naruto IPs.

Indeed, Dragon Ball Z: Kakarot draws from its manga and anime inspirations in conveying the trademark frantic energy that envelops its battles; it manages to translate with utter faithfulness all the signature touches of its source material, bells and whistles intact. Very anime-esque cut-ins and callouts are triggered after special moves, with its distinctive personality — and flair — highlighted by the way characters react to, and communicate with (okay, shout at), one another. Better still, these fights are all translated in a manner that feels so natural, no small feat given its sheer scale.




Those from the outside looking in may find all the fighting, on air and on the surface, bordering on the ridiculous. Characters are able to fly at super speed, display super strength, and use super powers — and in over-the-top fashion to boot. Those steeped in the lore, however, will find the presentation faithful to the series. More importantly, gamers won't have any problems with control and execution; whether on the personal computer or on the PlayStation 4 Pro, feedback is swift and free of lags, and the action presented on screen sans any frame drops. And thanks to an intuitive interface that belies the depth of its gameplay, it manages to blend all its elements together. While making use of an uncomplicated combat system, it nonetheless offers a heady and healthy mix of offense and defense via well-crafted melee and ranged options.

Admittedly, Dragon Ball Z: Kakarot is far from perfect. Given how much depth there is in terms of look, feel, and flow of the story and the fighting mechanics, the open-world RPG elements feel vastly underutilized. At times, these wind up lacking any impact at all, as if simply tacked on to prolong the gameplay and artificially add value to the title. Granted, the optional exploration segments do offer variety by way of side quests and character exposition. Still, they come off as being rather redundant and unrewarding in light of the game's linear narrative.




On the whole, though, Dragon Ball Z: Kakarot exceeds expectations as a brilliant entry to the franchise. Make no mistake; it's not without its quirks. For what it offers, however, it's well worth the time and money of gamers faces with countless alternatives.



THE GOOD:
  • Properly conveys the series' over-the-top energy and frantic combat
  • Tight fighting mechanics combined with responsive controls
THE BAD:
  • RPG/open-world segments feel tacked on
  • Sidequests come off as unrewarding
  • Character progression far from seamless


RATING: 8.5/10